Profusely illustrated. Text in Italian. Moderate shelf wear to wraps. Altogether a copy in Very Good condition. Seller Inventory Q Published by Rome: Studio d'Arte Campaiola Softcover, pages, in Italian; very good condition, light rubbing to covers; no internal marks. Seller Inventory GiMoRo Published by Rizzoli, New York About this Item: Rizzoli, New York, Condition: fine.
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Dust Jacket Condition: fine. Giorgio Morandi illustrator. With 57 illustrations, including 24 on color. Slim 4to, gray boards, d. New York: Rizzoli, First American edition. A fine copy in a fine dust wrapper. Seller Inventory Published by Hazan About this Item: Hazan, Hardcover with dustjacket, pages, in French; very good condition; clean and crisp; no internal marks. Seller Inventory GiMoHa Published by Giulio Einaudi About this Item: Giulio Einaudi, Hardcover with dustjacket, 32 pages followed by illustrations; in Italian; very good condition; light wear to dj; no internal marks.
Seller Inventory GiMoGi Published by Marseille: Musee Cantini About this Item: Marseille: Musee Cantini, Softcover, pages; in French; as new condition; clean and crisp; no internal marks. Seller Inventory GiMoMa About this Item: Prestel.
Morandi’s Still-Life (1926)
Published by Mazzotta About this Item: Mazzotta, Condition: Used: Good. Published by Edizioni Philippe Daverio. About this Item: Edizioni Philippe Daverio. Condition: Very Good. Seller Inventory F Published by The Museum About this Item: The Museum, F First Edition. Ships with Tracking Number! May not contain Access Codes or Supplements.
May be ex-library. Buy with confidence, excellent customer service!. Published by Fundacio?
Caixa de Pensions About this Item: Fundacio? Caixa de Pensions, Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged.
Published by Prestel Publishing About this Item: Prestel Publishing, Published by Fundacio Caixa de Pensions About this Item: Fundacio Caixa de Pensions, Published by Umberto Allemandi and C. About this Item: Umberto Allemandi and C.
Morandi, Giorgio 1890-1964
Softcover, pages, in Italian; very good condition, clean and crisp; no internal marks. Seller Inventory GiMoUm Published by Prestel About this Item: Prestel, Brand New!. Rather than a misleading image, a Morandi still life chronicles the complex creation of a domestic object, one that in essence is a container for visual illumination. The palette is usually muted -- sand, grays, tans, pale yellow -- which glows with an inner light that is occasionally set off by a blast of cerulean, russet or gold.
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The function of deep brown or black shifts from creating a line around the contour of a bottle or box to the articulation of a surface and the evocation of a fleeting shadow. Empty volume oscillates with solid form. If a white bottle at one side needs to be surrounded by a tone that is different from the one surrounding the dark cigar box at the opposite end of the picture, so be it. An especially glorious group of pictures from the mids lines up the top edges of the vessels with the rear edge of the table.
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The entire spatial volume of the painting becomes dynamic. Morandi sometimes applied paint to the actual vessels he set up in his studio so that he was painting painted objects. The slight gesture of brushing earthy pigment on canvas creates a subtle paradox -- a still life that bristles with quiet energy -- and the uncanny result is philosophical heft. He relished the veneer of stability it seemed to provide. The complex tensions between the parts and the whole that animate his spellbound paintings were all around him.
Giorgio Morandi Art Monographs and Museum Exhibition Catalogs
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